In an introspective narrative voice that reminded me of strongly subjective first-person novels like Knut Hamsun’s Hunger or Dostoevsky’s Notes from the Underground, Poole weaves a story that travels from dim childhood memories in the White Mountains of New Hampshire, to exotic international dangers, to New York City’s streets, art museums, and ACOA rooms, and back again to rural New England. But the journey is not about geography. It is a journey of self-awareness.
It takes courage to hunt down and confront the phantoms in one’s own psyche, to dive like Beowulf to battle the monsters at the bottom of the lake -- to kill Grendel and his mother and lift the longtime curse from the kingdom of the self. That’s what Fred Poole is doing on his bike around the streets of Manhattan, and in his aqua Mustang on the shadowy country roads of his family history. His story is his own, but it’s also classic. As John Yorke says in The Atlantic (Jan 1, 2016): “In stories throughout the ages there is one motif that continually recurs—the journey into the woods to find the dark but life-giving secret within.”
I'm pleased to have made this video to promote The Aqua Mustang:
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